Germán Alonso : thinking music in terms of rhythm and energy

Germán Alonso was born in Madrid (Spain) in 1984. He studied Guitar and Composition (specialization in Electroacoustic Composition) at the Real Conservatorio Superior de Música de Madrid, obtaining the highest marks. At the same time he studies electroacoustic composition with Alberto Bernal. He continued studying composition at the Strasbourg Conservatoire with Mark André, a Master … Continue reading Germán Alonso : thinking music in terms of rhythm and energy

Yiğit Kolat : (mis)translating data into musical information

Yiğit Kolat’s music explores the liminal frontiers of musical activity and potentialities in (mis)translating data into musical information. The complicated political and social environment of his native Turkey is a recurring theme in his diverse output, which includes acoustic, electro-acoustic, and electronic works written for orchestra, chamber ensembles, voice, and solo instruments. His works have … Continue reading Yiğit Kolat : (mis)translating data into musical information

Heather Stebbins : fascination with the inner structures and intricacies of sound

Heather Stebbins is an internationally performed composer of acoustic and electroacoustic works with a background as a cellist. At the core of her music is a deep fascination with the inner structures and intricacies of sound. Whether they emanate from an instrument, an object, or a computer, Heather uses sounds that strike her viscerally and … Continue reading Heather Stebbins : fascination with the inner structures and intricacies of sound

Francis Dhomont Turns 90 : Le cri du Choucas

I missed it last month, when on November 1st Francis Dhomont celebrated his 90th birthday. Francis Dhomont studied under Ginette Waldmeier, Charles Koechlin and Nadia Boulanger. In the late 40’s, in Paris (France), he intuitively discovered with magnetic wire what Pierre Schaeffer would later call “musique concrète” and consequently conducted solitary experiments with the musical … Continue reading Francis Dhomont Turns 90 : Le cri du Choucas

Mario Rodrigue’s “Tilt” : Electroacoustic Music

Mario Rodrigue pursued his musical studies under the direction of Marcelle Deschênesand, Francis Dhomont, and obtained his Bachelor in electroacoustic compositionfrom the Université de Montréal. His piece Tilt won the 1st Prize in the electroacoustic category and the Grand Prize in 7th CBC National Competition for Young Composers (1986) and Cristaux liquides was awarded a mention at … Continue reading Mario Rodrigue’s “Tilt” : Electroacoustic Music

Latest from Francis Dhomont : … et autres utopies

  Utopian, these aural mirages surely are — not in the political sense of the Ideal City, but in the etymological sense of ou-topos: belonging to no specific location, except for imaginary territories; creatures of illusion and, in this case, sound. These aural “non-lieux,” these chimeras of perception, resulting from treatments and made from unlikely … Continue reading Latest from Francis Dhomont : … et autres utopies

Kristoff K.Roll : French sound duo

Kristoff K.Roll is a sound art duo born in Paris (France) in 1990 as part of the turntable septet Arènes du vinyle. These two noise musicians — Carole Rieussec and J-Kristoff Camps — are building “a sonic maze with multiple entrances.” Together he/she move from acousmatics to electroacoustic improvisation and sound theatre, also delving in … Continue reading Kristoff K.Roll : French sound duo