Germán Alonso : thinking music in terms of rhythm and energy

Germán Alonso was born in Madrid (Spain) in 1984. He studied Guitar and Composition (specialization in Electroacoustic Composition) at the Real Conservatorio Superior de Música de Madrid, obtaining the highest marks. At the same time he studies electroacoustic composition with Alberto Bernal. He continued studying composition at the Strasbourg Conservatoire with Mark André, a Master … Continue reading Germán Alonso : thinking music in terms of rhythm and energy

Kelley Sheehan : noise, perception, and interaction

Kelley Sheehan is a Chicago-based composer and computer musician moving between acoustic, electronic, electro-acoustic, and performance art works. In any medium, her work broadly focuses on noise, perception, and interaction. Cacophony magazine has described her work to be "frenetic, almost acrobatic." Kelley has either performed or has been performed at numerous concert halls or art … Continue reading Kelley Sheehan : noise, perception, and interaction

Ofer Pelz : unstable repetition

Ofer Pelz was born in Haifa (Israel) and lives in Montreal. His music explores the concept he defines as "unstable repetition" - repetitive fragments which always vary from repetition to repetition, all the while trying to keep a perceivable tension. Pelz composes music for diverse combinations of instruments and electroacoustic media, he is also an … Continue reading Ofer Pelz : unstable repetition

Yiğit Kolat : (mis)translating data into musical information

Yiğit Kolat’s music explores the liminal frontiers of musical activity and potentialities in (mis)translating data into musical information. The complicated political and social environment of his native Turkey is a recurring theme in his diverse output, which includes acoustic, electro-acoustic, and electronic works written for orchestra, chamber ensembles, voice, and solo instruments. His works have … Continue reading Yiğit Kolat : (mis)translating data into musical information

Heather Stebbins : fascination with the inner structures and intricacies of sound

Heather Stebbins is an internationally performed composer of acoustic and electroacoustic works with a background as a cellist. At the core of her music is a deep fascination with the inner structures and intricacies of sound. Whether they emanate from an instrument, an object, or a computer, Heather uses sounds that strike her viscerally and … Continue reading Heather Stebbins : fascination with the inner structures and intricacies of sound

Marianna Liik : a sound world that is created by combining the acoustic and electronic means of expression

In 2017 Marianna Liik graduated Master’s studies in composition at the Estonian Academy of Music and Theatre with Helena Tulve and Margo Kõlar. She obtained there Bachelor’s degree in 2014 under the tutelage of Malle Maltis and Margo Kõlar. Liik has taken part in several masterclasses with Wim Henderickx, Fausto Sebastiani, Daniele Bravi, Bryan Christian, … Continue reading Marianna Liik : a sound world that is created by combining the acoustic and electronic means of expression

John Luther Adams : The Place We Began

“Last summer in my studio I discovered several boxes of reel-to-reel tapes that I’d recorded in the early 1970s. Using those "found objects," I sculpted these new soundscapes from fragments of my past.” Listening to John Luther Adams’s re-workings of his earliest music on his Cold Blue CD, The Place We Began, calls to mind … Continue reading John Luther Adams : The Place We Began