Éliane Radigue (b. 1932) is a pioneering French composer of undulating continuous music marked by patient, virtually imperceptible transformations that purposively unfold to reveal the intangible, radiant contents of minimal sound—its partials, harmonics, subharmonics and inherent distortions. As a student and assistant to musique concrète pioneers Pierre Schaeffer and Pierre Henry in the ‘50s and … Continue reading Eliane Radigue – Occam Ocean
Tag: electronic music
Ramteen Sazegari : a synthesis of perspectives
Ramteen Sazegari (b.1983) is a composer based in Pittsburgh, PA, where he recently completed a Ph.D. in Music Composition and Theory. His music is informed by a synthesis of perspectives; the architectural similarities shared by both concert and electronic music has led him to create works that explore the relationship between ambiance, complex rhythmic profiles, … Continue reading Ramteen Sazegari : a synthesis of perspectives
Zeno Baldi : Balancing the weight of sounds
Zeno Baldi is an Italian composer. He has written works for acoustic instruments and a variety of electronic devices. He is also active as a performer and sound designer for mixed media. His music has been presented at festivals such as London Ear Festival, Rondò (Milan), Firenze suona contemporanea, MATA (New York), and in venues … Continue reading Zeno Baldi : Balancing the weight of sounds
Anna Pidgorna : composing through the body
Anna Pidgorna (b. 1985) is a Ukrainian born, Canadian raised composer, artist and vocalist, who combines everything from traditional music making, to visual arts, to writing, to carpentry in her multimedia practice. Characterized by “a balance of bold colour palettes, strong melodic profiles, and unexpected performative elements” (Nick Storring for MusicWorks Magazine), her work traverses … Continue reading Anna Pidgorna : composing through the body
Yiğit Kolat : (mis)translating data into musical information
Yiğit Kolat’s music explores the liminal frontiers of musical activity and potentialities in (mis)translating data into musical information. The complicated political and social environment of his native Turkey is a recurring theme in his diverse output, which includes acoustic, electro-acoustic, and electronic works written for orchestra, chamber ensembles, voice, and solo instruments. His works have … Continue reading Yiğit Kolat : (mis)translating data into musical information
Dufay Re-Imagined by John Potter and Ambrose Field
When The Hilliard Ensemble collaborated with Norwegian Jan Garbarek on Officium (ECM, 1994) and the follow-up Mnemosyne (ECM, 1999), who knew that the combination of vocal music, ranging from pre-AD Greece to contemporary times, would mesh so beautifully with the legendary saxophonist's soaring improvisations? With Being Dufay, released in 2009 on ECM's classical New Series imprint, the label has taken … Continue reading Dufay Re-Imagined by John Potter and Ambrose Field
Richard Barrett : creating meaningful alternatives to what we hear around us
Richard Barrett (Swansea, 1959) is internationally active as composer and performer, and also teaches at the Institute of Sonology in Den Haag and at the Academy of Creative and Performing Arts at Leiden University. His work encompasses a range from free improvisation to intricately-notated scores, and from acoustic chamber music to innovative uses of digital … Continue reading Richard Barrett : creating meaningful alternatives to what we hear around us
Pauline Oliveros : May 30, 1932 – November 24, 2016
Pauline Oliveros was an American composer, accordionist and a central figure in the development of experimental and post-war electronic art music. She was a founding member of the San Francisco Tape Music Center in the 1960s, and served as its director. She taught music at Mills College, the University of California, San Diego (UCSD), Oberlin … Continue reading Pauline Oliveros : May 30, 1932 – November 24, 2016
New Voice: Jeremy Wexler
Website | Soundcloud Jeremy Wexler (b. 1991) is a composer, percussionist, and teacher from Levittown, New York. His compositional language explores the physics of sound-phenomena, microtonality, and irregular metric and formal organization. Jeremy’s compositions have been heard on Composers Circle, Kinetics Internet Radio from Los Angeles, Incipitsify, the Wintergreen Summer Music Academy in Virginia, the … Continue reading New Voice: Jeremy Wexler
New Voice: Ben Jacov
Ben Jacov describes a recent work ~ "being far away from myself. the alps - mountain tops, dust drowned valleys, moss covered bridges, noise gargling rivers. foreignness - not being away from the comfort zone. simply feeling foreign. letting go physical awareness and wandering on that thin line, a point where future is about to … Continue reading New Voice: Ben Jacov